Breaking Bad Script Takeaway #3 Breaking Bad’s pilot ending Whether you view the line as a choice or a progression of events, the transformation will occur, and the rest of the pilot repeatedly emphasizes this. Regardless of the interpretation though, “transformation” punctuates the sentiment. But you can also argue that this hints at his cancer diagnosis there is a growth, and it will lead to death. Transformation.” In one sense, you can argue that growth and decay are two different choices just one or the other is possible, not both. We know Walt now, but who will he become as his life throws curveballs at him? This is of course best exhibited through his line “That’s all of life, right?” But if you’re looking even more deeply into this moment, Walt also offers us: “Growth, decay. But it also tells us what this whole show is really about. Part of why that is relates to a powerful theme in the Breaking Bad series: change.ĭoes the above scene hint at his knowledge as a chemist and therefore foreshadow his brilliant meth cooking abilities? Yes. Most Breaking Bad fans are already familiar with the idea of the anti-hero, and how Walter White is a go-to example of one. Breaking Bad Script Takeaway #2 Breaking Bad themes Of course, this is not the only instance in which the idea of change is referenced in the Breaking Bad pilot screenplay. What we know to be one thing behaving in a certain way can quickly become something entirely new and terrifying. This lightning fast change actually acts as a foreshadowing of sorts. A giant, retro Winnebago, clearly either chasing something, or barely escaping it (we soon learn it’s the latter). The teaser opens on the cow pasture: it’s peaceful, quiet… then boom. This teaser also offers a hint, through its intense shift in pacing, at what’s to come in this episode. The puzzle intensifies: is this guy gonna shoot the cops? Who is this? What is this person doing? Why are they here, and what have they just done? On top of that, the end of the teaser we are presented with loads of tension as two things happen: sirens approach our supposed protagonist, and he is holding a gun up at the direction the sirens are coming from. Not only is this teaser high-octane, it achieves something crucial for capturing the reader’s attention: it gives us a puzzle to solve. He returns home, and makes a move on Skylar. Walt’s just killed two people but made a lot of money from the deal. He and Dupree escape the fire (and unwanted attention from firefighters) within an inch of their lives. Walt traps Krazy-8 and Emilio in the Winnebago, essentially poisoning them, but Krazy-8’s cigarette starts a fire. Dupree tries to sell to Krazy-8 and Emilio, and they suspect him of betrayal. Walt and Dupree make a batch of meth, and Dupree tells Walt that he’s an artist. Walt begins to enjoy this new sense of power. Walt drains his savings, and has a face-off with bullies who taunt his son at a clothing store. Elsewhere, Marie (Skyler’s sister) notices something off with Walt, which Skyler denies. Walt and Dupree strategize how and where they will cook meth together. Walt makes Dupree a offer: they can team up and cook meth together, or he’ll turn Dupree in. During the raid, Walt notices a former student (in the script, named Marion Dupree, but who later becomes Jesse Pinkman) at the house/secret meth lab. He doesn’t tell Skyler about his diagnosis right away, but he does yell at his boss, and ask Hank if he can go on his meth-bust ride-along. Walt learns he has cancer, and he’s got maybe two years to live. Walt appears to be quite ill, and half of a lack-luster marriage. We meet Walt (a brilliant high school chemistry teacher) and his family (including his pregnant wife Skyler, and his wife’s brother-in-law, a DEA agent named Hank). Here is the story structure for the Breaking Bad Pilot screenplay: Exposition STORY BREAKDOWN STRUCTURE OF THE BREAKING BAD PILOT SCREENPLAY
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